“Meditate on Dick” by T.L. States

SONY DSC

Do you know anyone named Dick? Well, maybe their real name is Richard, but they don’t go by Rich, Rick, or Ricky, just good old-fashioned Dick. If so, does it make you uncomfortable? Do you giggle when they introduce themselves? 

Have you ever uttered the phrase, “you can suck my dick,” when someone irritates you? How has that affected you when someone special wants to literally suck your dick? Do you feel it’s extra degrading because, in addition to putting a vessel for waste disposal in their mouth, they are also committing an act that you previously deemed a killer insult?

Let’s talk about the term “dickweed.” How do you feel about that? Here’s what the Oxford Living Dictionaries have to say:

A stupid, obnoxious, or contemptible person (especially a man).

Not a bad definition, but thank goodness for Urban Dictionary and the user that goes by Phuqit. Here are Phuqit’s definitions, uploaded on October 11, 2006:

       1) A completely self-absorbed, useless asshole with shit for brains; 

2) A person so irredeemably stupid that their idiotic behavior causes pain to everyone that they interact with.

Personally, I think Phuqit knocked it out of the park with the first definition. A “useless asshole with shit for brains” has got to be the winner.

What if the person you know that insists going by Dick isn’t just anyone, but he’s your dad? How does that work? What if he rails against the vulgarity of society and how it has ruined his preferred nickname, but you really want to call your boss a fucking dick? You can’t escape the vulgarity, right? You could call your boss a cock, I suppose. “Hey, you fucking cock!” That doesn’t really work, does it? I mean, you need something extra on the back end, like cock gobbler or smoker. Even so, the vulgarity is ever-present, and guilt will gnaw at you because you know that you’re just substituting for dick, and it’s not like saying penis is any better.

Can you imagine talking shit about the boss with your co-workers, and you decide to bust out penis? “Wow guys, he’s being such a penis today.” They’d laugh you right out of the group. Then, sitting alone in the break room, watching your co-workers laugh and carry on, you’ll wonder why you even felt the need to compare your boss to a phallus. Your boss might be a jerk, but a dick? A prick? A cock? Why the insatiable urge for vulgarity? After all your dad, that guy named Dick, didn’t he raise you better?


T.L. States lives in Tucson with his wife and kids, and some shit he wrote can be found at Hobart and The Daily Drunk. He wastes time on Twitter as @epmornsesh

“Alameda Sunrise: A Field Guide for Rekindling the Bromance” by C.J. Prusi (NF)

I need a place to stay for the night. I’m commuting two hours to school and can’t splurge on gas to make two trips in two days. I make a call to a friend. It’s been a while since we’ve talked. He answers in two rings. Before I can ask a favor, he tells me come over. My phone is dying. I scrawl the directions in my notebook.

I make the drive to Alameda, wondering how long it’s been since I’ve seen him. Just over a year. We were the last of six to move out. It’s dusk when I pull up to his house. His roommate lets me in and tells me he isn’t home. I call him.

He answers: “I just got home.”

I tell him I’m here.

“Are you telling me the call is coming from inside the house?”

We gasp.

I open the door, welcoming him into his own home. A good, long hug follows.

Sometimes it’s awkward seeing a friend after an extended absence. There are the people we used to be and the people we are now, and it can be hard to tell how much is left of the person we remember. Sometimes the middle section in the friendship Venn diagram gets too small to hold. Those people take up ninety percent of my Facebook feed.

That’s not what this is. This is an instance where two friends part ways for a while and pick up right where they left off. We crack jokes, talk at annoying volumes, and laugh about our failures du jour. Before long, we’re sharing books, quotes from authors who inspire us, and little snippets of our own creations.

We mack some burgs and reminisce about how we used to buy a pack of cigarettes after lectures and hate ourselves for it. It’s a reminder that we’ve grown up—in some ways.

We watch Drew Barrymore’s directorial debut, Whip It, and he rewinds the movie every time we start talking even though we’ve both seen it before. He says that if he doesn’t, we’ll miss critical character development.

It’s after one o’clock when the movie ends. We watch an episode of The Simpsons. We play a card game until 3:30. I tell him we should have blown up the air mattress earlier, but turns out he has a great air mattress. It’s got a built-in pump that’s real quiet. Before long, we’re talking about our relationships. I’m no longer crashing at a friend’s house—this is a full-blown sleepover.

Why is it that a sleepover demands that all members of the party be in pajamas and tucked in bed before talking about feelings? Maybe this is a guy thing, meaning it’s likely that emotional repression brought on by toxic masculinity has caused us to only speak truthfully about love only under a literal blanket of protection. We’re older now; we’ve seen therapists! We can talk openly about our feelings, sure, but it’s just easier when we’re cozy. The moment is not unlike when, after a long day, my dog lays on his back and lets me scratch his belly. We call it a night at 5:30, but the sun is almost up. We’re well into morning.

At 9:15, my alarm reminds me of an impending phone interview. It’s for food stamps. I scramble around the room gathering necessities. My eyelids weigh heavy, but I’m awake. I walk outside and the morning air whispers you can do anything and I believe it because I’m twenty-five and I don’t know any better. The rest of the world is worried about when a boy becomes a man. Growing up in California, I’ve only ever been a dude. But after a night of friendship, I feel like a kid again.

“Doin’ Lines” by Kevin Sterne

The plan was to drive down from the city to my mom’s place to cut the lawn, maybe do some aerating, play with the dog. She called me that morning and said her friend Smokey’s basement had flooded. Everything was wet and fucked: the carpet, the couches, the treadmill piled with rollerblades. 

Smokey was crying in the garage when I showed up. Mom hugged her and she cried and cried. She put her head on Mom’s shoulder, cigarette dangling out the side of her mouth, and kept on crying. I found out later that Smokey had to put her mom in hospice two days earlier. I felt bad before and more after that. Bad things happen to good people sometimes, but lately they happen a lot. 

Smokey’s real name is Cheryl, but everyone at the hospital calls her Smokey because she smokes a lot. Nicknames don’t need to be clever. 

I went down to the basement and Smokey’s husband, Bob, was taking pictures for the insurance. He pointed his phone at the carpet, the couches, the treadmill piled with rollerblades. Everything smelled musty and damp. Click click click his thumb went on the phone. The shelves of books lining the walls, the soggy brown boxes of Christmas decorations. 

“I needa get it all,” Bob said, “needa get every dollar.”

“You got valuables down here, Bob?”

“Nah this is all junk.” 

“Cool.”

I started grabbing whatever was close and carrying it up the stairs. I moved stuff from the basement to the living room. I carried one box up the stairs. And I carried another box. I carried random stuff not in boxes up the stairs. I did this for like an hour. 

This is some stuff I carried: tubs of winter coats and fake Christmas trees, bathroom rugs, shower rods, folding chairs, folding tables, family photos, photo albums, metal signs, stacks of wood, fishing poles, baseball bats, the treadmill, the rollerblades, candles, clocks, boots, gloves, a soccer ball in a milkcrate, some more candles, a mini whiteboard, and a shit ton more of candles.

I thought about what I’d be doing if it hadn’t rained: mowing grass, just doin’ lines back and forth, back and forth. 

I’d do the front yard first because it was more complicated with trees and landscaping. Plus the driveway. You always want your east–to–west lines to match up on either side of the driveway. Not matching up your east–to–west lines is the sign of an amateur. My mom doesn’t care, but I do. That’s me looking out for her: my dear mother who tells me to get whatever beer I want and put it on her card, and tries to give me her credit card, even though all I drink is High Life from the bottle and have for years, and it’s like seven bucks for a twelve-pack, Mom. 

That’s what I’d be doing if not for the rain. But it rained, so here I was. Here I am. Here we were. 

Doin’ lines back and forth. 

Sweat popped on my forehead and under my arms. My boots sloshed in the rain water that had invaded their basement. I plopped a soggy box down in the living room. It was getting crowded with junk already and there was still a lot left downstairs. This wasn’t going to work.

“Smokey,” I said. “We needa get a storage unit. Like a POD.”

She looked at the stacks of crap in her living room. She considered the boxes of the crap and unboxed crap downstairs. Then she said, “You’re right.”  

So I called the storage unit places. The first place was closed. The second place’s phone just kept ringing. When I called the third place, they answered by the name of the second place. Eventually I got one to be delivered in a couple hours. In the meantime, I started moving the junk from the living room to the garage. The soggy boxes started falling apart, disintegrating into sloppy nothings. 

“Smokey,” I said. “We need bins.”

She looked at the soggy boxes disintegrating into nothing. She considered the loose junk still downstairs. Then she said, “You’re right.”

“I needa go to Menards.”

I love Menards. I always save big money when I shop there. They always have what I’m looking for, and the aisles are wide and well-marked. I happened to find myself down the one with the air compressors. 

They were on sale. I’d been price-checking compressors for weeks. You have no idea. An air compressor is useful for a lot of things: inflating stuff, powering a nail gun. I imagined placing the hose between my lips and filling myself with air, filling myself more and more until I was crunchy like Rice Krispies. I wanted to be inflated. I wanted to feel full. 

Then a little voice in my head said Hey, you’re here for storage bins. So I went to look at the bins. I found some good sturdy ones and bought fifteen on sale for the price of ten. 

I always save big money there. Always.

I came back from Menards and Bob was in the garage, moving boxes around. I watched him from the edge of the driveway for a bit. He took a box from a stack and carried it to the other side of the garage. Then he moved it a few feet over. Then he muttered something to himself and moved the box again. Then he muttered some more, this time with his hands involved. Oh shit, the little voice said, Bob’s starting to lose it. Not you too, Bob. You’re my rock. I need you to be strong, Bob. There’s so much war left to fight. Look, I just picked up some bins. 

Bob saw me standing there and kind of shook his head. We both knew I’d saw what I’d saw and there was no use saying anything about it. 

“I’m no good at this,” Bob said.

I set down a stack of bins and started dumping loose candles into one. 

“Me either,” I said. “No one is. No one should want to be.”

I could hear Smokey yelling from inside.

Bob said, “Smokey’s starting to lose it in there. Probably good to stay out here.” 

It probably was, but I went inside anyway. 

Inside Smokey and my Mom stood at opposite ends of the kitchen table. My mom gave me a look like You should probably go back outside. But it was too late. 

“Kevin,” Smokey said. “Do you think I should get ridda dis table?”

“Why would you get rid of your kitchen table?”

“I hate it,” Smokey said.

“But you needa kitchen table. Where you gonna eat?”

“On da floor.”

“I think you should wait,” my mom said. “Maybe sleep on it.”

“I’m not sleeping on my kitchen table.” Smokey lit a cigarette. “I’m not supposta smoke inside, but fuck it. My whole house is fucking upside down.”

I looked at the floor. I looked at the table. I looked at my mom. 

“I don’t do disorder, Kevin,” Smokey yelled. “I’m organized.” 

She opened the cabinet by the stove. It was full of Tupperware. 

“Look at dis!” she yelled. “I keep da lids here and da bowls here.” 

She took a long inhale of her cigarette. 

“Everything has a home. I have AD… OCD!” 

“We all have our quirks,” I said. 

Smokey is really religious, so I thought about adding in something about us being God’s children, but everyone in the room would know I was bullshitting. Smokey was still showing me her cabinets. This wasn’t a time for bullshitting. 

“I’m not getting enough oxygen to my brain,” she said, tipping her cigarette ash into the sink. “Don’t tell Bob I’m smoking inside.”

She collapsed into a chair. Mom rubbed her neck.

“Bob,” Smokey yelled at the ceiling.

The garage door opened and Bob poked his head in the kitchen. “What?”

“I needa pop.”

Back in the basement, I took photo albums from the shelves and stacked them in the bins. The basement walls were lined with shelves piled floor to ceiling with photo albums. You’ve never seen so many photo albums, trust me.

Smokey came down stairs, saw me putting all these photo albums in bins. “Now we’re cooking with business.”

A photo album slipped from my hand and fell open on the floor.

“Who even are these people?” I said.

Smokey looked at it.“Dat’s da neighbor kids from ’04 to ’05.”

And then she started telling me about the other ones, even though I hadn’t ask.

“Dat one dere is my niece’s volleyball games. Dis one’s of the old house. Dis one’s baby pictures from ’92.”

But then she started taking albums out of the bins.

“Aw. Dis is Jim and Nancy at one of da block parties,” Smokey said. “Dey’re divorced.”

“Who?” Bob said, coming down the stairs.

“Little Jimmy.” Smokey handed the photo to Bob.

“Little Jimmy? Nah, you mean Big Jimmy.”

“Well, the son’s taller than the dad,” I said.

“Big Jimmy is getting a divorce.”

“Been divorced,” Smokey said. “Now he’s buying da house back from her.”

“Where’s she moving?”

“I think she’s staying.”

“Staying?”

“Dey share custody of da dogs.”

I stopped listening and slammed the lid on one of the bins and started for the stairs. 

I imagined dumping a bag of cut grass into a yard bin. Breathing in that grass clipping air, getting all full on cut lawn air—that’s all I wanted. 

“Here’s one of you,” Smokey said. 

I turned around. She had a picture of my little sister sitting on tile floor with a vacuum.

“That’s not me, that’s Liz.”

“Well here’s a picture of your sister den.”

There was my sister. A head of big brown curls. She couldn’t’ve be older than three.

“I useta run the vacuum when you kids wouldn’t stop crying.” 

“That’d make us stop crying?”

“Not really, it just kinda drowned you out.”

I carried more bins up the stairs. Turn right into the kitchen, then walk sideways around the kitchen table I convinced Smokey to keep. Wedge the bin against the wall to open the garage screen door. Then out the garage to the POD. I did this for hours. 

Just doin’ lines back and forth. 

At some point I wandered into the utility room to find Bob fighting with the sump pump. He had his arm elbow-deep in it, a towel around his neck because he was sweating so much. He turned it over and dumped out a bunch of brown water.

“You’re not gonna to believe this,” he said, picking something off the cement floor.

“Believe what?” I said.

He showed me what was in his hand. 

A soggy cigarette butt.

That’s all it took. To do all this. To do this all. 

Just the ass end of a cigarette. 

“Don’t tell Smokey,” Bob said. The fluorescent shop lights gleamed off his shiny forehead. “It’d break her.”

I tossed the cigarette end back in the sump pump and carried it up the stairs and outside to the trash. 

I found Smokey standing under the basketball hoop smoking.

We gave each other a nod. Then she let out a long sigh and said “Yep.” 

“Sorry about your mom.”

“Me too. But thank you.”

She smacked her pack of cigarettes into her palm and handed me one. I borrowed her lighter. “Don’t tell me my mom.”

We smoked and looked out at the front yard. Down the street, a car returned to a driveway. A flag flapped on a pole. The sun was setting and the maples were making big shadows on the grass. Big lines stretching. Oh my, look at all that beautiful grass. 

“Smokey, let me ask you something,” I said finally. “Who cuts your grass?”

“Bob or the neighbor kid, usually.” She squashed here cigarette out on the cement. “Why, you wanna do it?”

Some stuff I should mention:

My mom never offers to buy me alcohol. She discourages drinking while operating machinery. 

She has a friend named Smokey, but this happened to a different friend.

Bob is a real person.

It wasn’t a cigarette that flooded the basement. It was a Band-Aid.

None of these people smoke in real life. 


Author of All Must Go 
@kevinsterne
kevinsternewrites.com

“Film Fest” by Aaron Block

Everyone was milling around the lab waiting for the meeting to start when Hailey told me we were going to the amateur adult film festival.

‘You’re going to this with me and Brian,’ she said. ‘No significant others.’

Brian came up beside me. ‘Did she tell you we’re going to that porn thing?’

‘I already bought you a ticket,’ Hailey said. ‘You need to pay me back.’

We met at a bar on the north side of town. My girlfriend was working. Hailey left her boyfriend at home. Brian didn’t have to worry about it—he had just gotten out of a five-year relationship. They’d owned a house together, a Jeep, two pugs. He’d joked about finding a ring and she’d told him straight up that she would never marry him. He found a room in a house three blocks from the lab and had been living there for a couple weeks when I first met him. The ex had already bought him out of the car and the house, but they still shared custody of the dogs then. It would take an entire year to break him on that. By the time we were at the bar on the north side of town, he was drinking every day and too much, juggling three girls, and hooking up with his ex every time he went over to walk the dogs just as a fuck-you to her new boyfriend. One of the girls I never met, much less learned her name. Val was nice but all I remember about her was that she had dark hair and all of her friends were lesbians. I think Brian kept her around because she let him borrow her car. Stacy, the last girl, was about ten years younger than Brian, a few years younger than either Hailey or I. She was pleasant in a dumb way and, according to Brian, loved cocaine and sex in the bathtub.

Hailey could barely sit still, giddily leading us in a round of sexual confessions. ‘Dude, okay,’ she was saying, ‘I absolutely love it when a guy licks my asshole. Obviously I’ve never had Greg do it—’ Greg was her boyfriend, ‘—but back in college or if I knew it was going to be a one-night stand, I was always like get back there and make it happen, I don’t care if you get a disease.’

It was my turn. ‘Well, Megan is on birth control but last week she got super horny during one of those stretches where she’s on the placebos. We were out of condoms so she flopped over on the bed and shouted, Fuck it! Just put it in my ass!

Hailey snort-laughed, sending bits of her vegan meatball sub crumbling across the table. ‘That’s so Catholic! I love it.’

Brian was making a face, a half scowl hidden in his pint glass. ‘That’s gross. I don’t do butt stuff. It’s a one-way street.’

‘I mean, yeah, with that attitude,’ I said.

‘I’ll bet you’d love getting your asshole eaten,’ Hailey said. ‘Anyway, good luck dealing with this fucking porn festival then.’

Brian’s phone buzzed. ‘Oh nice. Stacy’s here. She’s right out front.’

Hailey looked like he’d just slapped her. ‘What? Fuckin—what happened to no boyfriends or girlfriends?’

‘She wanted to go and it’s not like she’s my girlfriend.’ He used air quotes here.

Stacy arrived at the table with an oblivious smile. ‘I’m so excited! A movie fest! Wow.’ It was pretty clear Brian had not specified the style of films that would be shown. In her defense, its name was relatively benign. It could’ve been anything. ‘So, like, what’s the plan? Are we going straight there? I’ve already got my tickets.’

Hailey looked to me as if I could somehow disappear this girl. ‘We’re gonna take a cab to a whiskey bar down the street from the theater, have a drink or two, then go in.’

‘Oh cool,’ Stacy said. ‘I hope they have tequila. I don’t like whiskey at all. But I love tequila.’

Hailey puckered her lips. I hadn’t known her that long—I’d only been at the lab four months—but this was by far the angriest I’d ever seen her.

As we were paying up, Stacy got a text. ‘Holy shit, my friend is in town. I haven’t seen him since high school. Should I tell him to meet us at the whiskey bar?’

Before Hailey could protest, Brian cut in, ‘Yeah, sure. Let’s add another one.’

I don’t remember who was at fault, but we all ordered the special—a habanero bourbon that tasted like someone had simply mixed ground up pepper seeds and ribs into Maker’s Mark. The shots had us all choking. We sipped our little glasses to the bottom, complaining the entire time.

I was buzzed enough to be sociable towards Stacy. ‘So, who’s this friend we’re meeting?’

‘Oh, he’s like my best friend from back home. I haven’t seen him in years. He was like super Christian back then, basically a Mormon. I’m surprised he even wanted to come to a bar.’

When he did show up, he shook all of our hands and introduced himself as Chet, surveyed our empty shot glasses and asked the server for one of what we were drinking. He looked exactly the type of golden retriever I expected.

His shot arrived and I said, ‘Watch out, it’s pretty—’

He tossed it back. Immediately, he let out a trio of bronchial coughs. It sounded like someone had stabbed him through the lung with a screwdriver. ‘Oh my goodness,’ he said through an embarrassed smile, blinking tears out of his eyes. ‘Whew! You all did that?’

He asked what our plans were for the night and Stacy told him about the film festival. He ordered tickets on his phone.

The fest itself was fine—short films about pegging, nipple clamps, orgies, graphic blowjobs, gimp masks, a couple of narrative pieces—none of it was particularly sexy, which I think was mostly the point. Very little of it was compelling, which seemed less purposeful. Still, as each new title card flickered across the screen, Hailey would slap my thigh and stage whisper, ‘Ooh, watch this!’ as if I could do anything else.

Afterward, back on the street, Hailey was buzzing, in possession of too much blood moving too quickly, and asked if she could buy me a drink. She led our group to a crowded dive. Everyone split between trying to squeeze their way up to the bar or stake out a place in line for the bathroom. I didn’t want part in either so I stepped out front. Chet was standing next to the entrance, staring off into the middle distance.

‘Hey, man,’ I said. ‘What’d you think of the fest?’

He kept his eyes on some unknown point in space. He looked like someone had beaten the shit out of him spiritually. ‘I saw things that I will never be able to un-see. I just—I don’t know what to do with that.’

‘Oh, come on. It wasn’t that bad.’

‘Yes. Yes, it was,’ he said, getting angry. ‘It was that bad. I don’t think things can be the same anymore. I’ve seen stuff now. I don’t think I can even be the same person. I’m, I don’t know, different.’

‘Different how—’

‘Hey, take this.’ Hailey stood in the doorway sloshing the head of a beer all over her hands. ‘You need to come inside to drink it.’

‘One sec.’

I turned back to try and bring Chet inside, but he was gone, just completely vanished. I never saw him again, never heard what became of him. When I think of Chet, like I’m thinking of him now, I always imagine him happy, freed of unnecessary shame and fulfilled by his fall from grace. I know it could easily be the opposite.


Aaron Block is a graduate student at Oregon State University.

“Dirty Condom Trick” by Christine M. Estel

Save for the few movie nights in my room or hers next door, or that awkward fight we had about how I wasn’t any fun because I didn’t go anywhere with her or Sarah — which made me cry for feeling inadequate as a friend, even though they lived life in a much faster lane, while I was preoccupied with depression and the kind of anxiety that makes you want to rip your skin off, even just walking across campus during broad daylight, and as a result of our different lifestyles, no one chose me as a roommate for the following year — Mindy didn’t know me all that well or the childhood experiences I had that forced me to become a shell of myself, never opening up in an unabashed, raw way, or share what I really felt or what I was really going through, or keep a journal because, deep down, I knew that my well-being depended on no one finding it, to know that shoving one of her leftover condoms (thank G.O.D. unopened) from her Spring break trip with Bill (the poor schmuck she strung along for months on end), into the plastic case holding my bed-in-a-bag, facing it upwards so my mother could see it when she helped me move out of my freshman-year dorm room for the summer, was not humorous. Mindy’s malicious “Oh, don’t forget your condoms!” as she stood in her doorway, while I made my way past her to the elevator, disgusted my mother and mortified me. Red-faced, I ripped it from the bag and threw it back at Mindy’s feet, insisting that the condom wasn’t mine, knowing the idea would be lost on Mindy that her move was a low-blow. And as convincing as I tried to sound that Mindy was playing a dirty trick on me, it mattered not. My mother’s scorn, coupled with my immeasurable embarrassment and guilt, hung over me during our short ride home, thick as clinging, overgrown ivy that never seems to die no matter how much you keep cutting and ripping.


Christine M. Estel lives and writes in the Philadelphia area. She tweets from @EstellingAStory.

“Time Zone Mountain Interchange” CNF by Adrian Belmes

On the sacred recommendation of the head chef in my kitchen, my best friend John and I traversed the breadth of Kansas state to the hum of Pink Floyd over the radio. Being immigrants, we were unfamiliar folk to the corn-sodden great midwestern expanse. For the satisfaction of our coastal curiosities, there seemed no method more appropriate to rectify this modern problem than the all-American road-trip, though in part too carefully curated with the technological luxuries of the 21st century. We bought a paper atlas, but even the desolate Black Hills are wired. 

When we left the better half of Kansas City, my phone guided us to the long west. His was plugged umbilically into the aux. There was a sort of alchemic equivalency to this that seemed only fair and natural, like Newtonian physics, or well-established inheritance law. We needed direction, so we needed a soundtrack. My chef recommended the 1973 album, so we were obliged to abide. 

I’m sure you’ve heard of it already, but don’t stop me. Let me have this moment. There’s the old rumor of non-causality that if you begin The Dark Side of the Moon at the same moment as the beloved Judy Garland film classic of 1939, a synergistic effect will present itself. Tornadoes tamed by screaming and brain damage resolved with basslines. Witnessing this act of alignment is something I have never done, fully intend to do someday, and lie about constantly that I already have. It’s a hyperactively celebrated rite of passage for era-hopping tab-eaters, the point of no return down the long-melting reality screen. What a load, right? Alan Parsons would agree with me. People microdose now anyhow and over-analyze these things. It’s not lost on me that we’re in Kansas. You can imagine it, if you squint. 

That’s how it goes, yeah? You’ve listened to it once, at least. It always starts with a double-take. Speak to Me came in so quiet that we had to check the cable, pulling it out a couple times and blowing in the hole like bad porn or an old Sega cart. Don’t bullshit, we all do it. The only person on this Earth who never does is my chef, and I can assure you that’s only because he spends eight hours of each six days of work hitting dislike on the shop Pandora if it queues anything out of the Peter Gabriel—Neil Diamond musical range. This man is my spiritual father. Mine did alright, but I like this one’s taste in music better. He agrees that The Chain should have been the first song on Rumors. My father does not. No contest.

Rising with the track, the low morning clouds began to leak. A storm had followed us hot from the church-crack Sturgis lightning to the sweltering and sudden outpour of Chicago that soaked our socks and pruned our toes with warm, wet moisture as we hiked down Michigan Avenue. The first screams of the album welcomed in the rain and shook it like a sieve above us. 

John rose from his slouch in the half-reclined shotgun seat and stiffened upright with messy angular contractions, the opening notes of a recognizable bit. Everything is a bit. His hands scrambled for purchase, slapping the center console, the right-hand handle, the child-safety lock, the glove compartment. His eyes widened, his lips tightened, he whipped his head from left to right, methodical and out of synch with the frantic ministrations of his palms against plastic. We have known each other enough, and I have yet to determine if this is social exaggeration or if this is as genuine as his anything. The adolescent textures of Roger Waters had his full attention.

The volume of falling water increased as the last chords of Breathe faded out and the driving beat of On the Run faded in. At the two-minute swell of distortion, my mouth began to creep along the edges of my face, rising up at the corners but never breaking its concealment of my teeth. The gentle drizzle had aggregated into a perpendicular firehose. The excitement in our carpeted Corolla was palpable in expletives. The death-portent of the Synthi AKS made us feel dangerous. 

Around the third minute, we exited the thundercloud with the deep force bass of an airplane impact, suddenly crashing through the wall of rain and into the open sky. We were running now along the Kansas highway with the pattering fallout footfalls of the bomb behind us. With no hope of recovery from our synchronistic amazement, the cacophonous arrival of Time sealed us into a suggestible hallucinogenic state. It could only have been psychosomatic, but does that really matter? Just listen. 

Sound never really dies. It exists in the aether, all around us, and under specific circumstances, it finds itself tapped and summoned. The same could be said of decades of collective hallucination, or that thing about if you crack your spine, all the acid you’ve ever taken will bubble right back up again. Nick Mason was guiding us down like Virgil through the rings, surrounded by the laughing ghosts of long-dead psychonauts and burners, all the way through to the frozen circle, where David Gilmour’s wrinkled fist punched upwards from the depths and loomed until it burst before us like a mortar.

Of a giddy shock, John pealed. I could see the little black pockmarks of his face expanding and reddening like an acidic vision. Certainly it was only the heat and our skin opened up like beggars’ hands to the atmospheric moisture, but the fantasy was fun to indulge. We spend more time dreaming about drugs than actually doing them.

Serenaded by overlapping reverb, the highway skipped us up and down, like the steady pulses of a waveform generator, bobbing us along the amps through to the sixth minute, where each respective lambda lengthened and trough shallowed until we were deposited again on level road. The grey canvas of the sky melted behind us, and Clare Torry began to scream, welcoming the reborn sun and splitting the west before us. I could catch in John’s eyes the frightened awe of God presented in the form of endless corn. She kept us tense for perceptive hours, brandishing a vocal knife and not quite sheathing it until we touched down at the bottom of the greatest gig there ever was: four seconds of silence. 

Startled by the slamming registers of Money, snipping my nerves at their split ends enough for the hair to grow again, I was bumped back into the confines of my skull. I hadn’t noticed it until I pressed a finger into each eyelid that we were slick, sweating like pigs. We had finally hit the clarity threshold of the trip non-trip. If I had learned anything of the many kitchens I have fried in, there’s always a moment like this. We’d get back shortly to the shitshow, after our milk-crate smoke break. John dabbed his tee up to his blistering forehead and carded back loose hair. He was smiling with his teeth, grimacing, bopping his chin to the wicked baseline. This was the booth at the nightclub at the bottom of Judecca. John laughs. Fucking Gilmore, what a prick. 

I should say here that John isn’t the shitbag that I am. He’s a good guy. Honest. His parents built their lives to take him home from school. I was emancipated for tax purposes. There’s a particular kind of insufferable that comes of prolonged close contact, and his I could love as fondness. Likewise, he chose me on the expectation that I’d offer a measure of wisdom to his developing deadhead sensibilities. I am not nearly the chaos wizard he presumes me to be, but he doesn’t need to know that.

What he did need to know is what I’d said the day before, responding to his orgasm in the dining room of Joe’s Barbeque about two hundred and thirty-six miles behind the state line. I wish I enjoyed anything in life as much as he enjoyed everything. Good food, better music. Chair cushions, air conditioning. The honest happy relish of no exaggeration. Is it the depression or is it too many lysergic daydreams and ketamine bathrooms? Am I doomed to a Charonic fate, psychopomping all my friendships through amping crests that I will never know again myself? Fuck these contemplations of a lifetime addict: ultimately futile, all the same result. I shouldn’t care so much. We’re ordering our last shots at five minutes fifteen. We’ve got to prepare ourselves for this shit, because we’re getting back into the heat any minute now. Henry McCullough tells us he was drunk at the time. 

Our thoughts dissolved in the drone of the Hammond organ and were sucked by the circulating car fans. My skull vibrated in F minor by the time the saxophone appears ahead of us on the highway, notes rising out of the distant spots of steaming asphalt, like tiny pools of water, ever out of reach. We had fallen again into a perfect silence. I was nauseous and without fear. This was a late-stage familiarity so truthful to me that I almost forgot that this was only music and that was only Kansas. In God’s country, I marveled at the power of belief. 

John surrendered himself to faith. Never in his life had I seen him lose that fine and anxious edge of an arm so ramrod straight against his side that the armpit ceases to exist. He relaxed in that moment, shoulders flush and curved against the cushion of the seat, slipping down until he was playing footsie with the gum wrappers and beef jerky in the abyss. I was pleased to be ferrying this Styx, but something nagged me as I watched him melt. We coasted all the way through Any Colour You Like, soothed by solos. It was long past the peak and we’d be alright. 

I didn’t put it together then, but hindsight is a bitter mistress, making an education of me always, and I know now what it was. I hope John never does drugs. I fear I’ll lose him if I put him into the business, one way or another. I’d sooner bear the burden of guilty paternal control than the exponential guilt of squandering a young man’s potential. I was just out of it enough that I kept hearing Crazy Diamond on the track and expecting a rise, but it never came. That’s the wrong album, and there was only the brilliant mirage ahead. The nearest ocean was six thousand miles away and I couldn’t say I wasn’t nervous with the thought. 

John didn’t notice me grip the wheel as we rolled into minute one second sixteen, Brain Damage exploding in our ears like the bewilderment at the end of the 8 hour ride. He looked like he should be gripping the wheel instead. Chill out, man, we’re almost at the bottom. We can go to bed soon, I promise. This, I can impart without remorse. We’re the only lunatics for miles around. 

We were a little more prepared for minute two second thirty. John took the drum line in, gently slapping the console to the toms, and we dove in for a last little high as we entered Eclipse, rubbing our gums with what remained on the plate. He’d gained a little experience. By the end, you always feel professional.

The last word of the name is the last word of the album. It’s poetic, and we felt smart in our silly, momentary analysis of the thing. There’s just so much more to it, probably. The Hammond coasted to a smooth finish, an extended note, and, just like that, it was done. It was over. We were silent through the last heartbeats of the album, listening to our own, looking at the corn, the sea of the fucking thing. It looked so lovely, after the rain. The American dream of what heaven must be, the sprawling sun in the wide open, golden west. 

That was pretty good, wasn’t it?

We put on Rumors. There were still thousands of miles to no place like home. 


Adrian Belmes is a reasonably depressed Jewish-Ukrainian poet and book artist residing currently in San Diego. He is editor in chief of Badlung Press. You can find him at adrianbelmes.com or @adrian_belmes.  

“Chasing the Dime” NF by Chris Milam

I made it through. That’s the point of this story. Anything is possible. Perseverance and endurance are requirements. So is meeting a kind person. A helpful organization. Let me stop here and hit the rewind button.

January 2012

I’m fucking cold. Not it’s sort of chilly out. Not brrr or damn I need an extra layer. No, I’m talking bone cold. Your veins aren’t navigating the blood correctly. Your mind is a fucking ice block. Details: I’m in a parking garage. This is my current home. It’s connected to the courthouse. The temperature is in the teens. It’s early January in Ohio which means I’m freezing. I’m in the glass-encased stairwell, where it might be a couple of degrees higher than outside at best. I’m trying to sleep on concrete. I have no blanket, just a black peacoat which I received from a local church. Sleep is hard when you can’t get warm. And when you feel worthless. And alone. And scared. And suicidal because that’s always an option. It has to be when you have nothing, you are nothing. I fantasize about jumping off the top of the garage. Splat. Goodbye. My story over. Fade to black. But I didn’t actually jump or I wouldn’t be writing this. Let’s go a bit further back.

2009 – 2011

I’m a degenerate gambler. I love to bet the horses. And by love I mean the unconditional kind. Love gambling more than my children or why else would I spend every nickel to my name on a bet? Christmas gifts? Fuck that noise. Birthdays? A card with no cash. Everything else? I’m just a ghost at the track. A depressed ghost. A sick in the head ghost. A selfish piece of shit ghost. I am everything besides a good dad. I chase the dime instead of spending time with my tiny girl or older son. I care about nothing but exactas and trifectas and superfectas and longshots who are longshots for a reason. It’s a compulsion. I can’t stop nor do I truly want to. I sell my food stamp card to gamble. I con my mom out of money to gamble. I steal metal from factory dumpsters and sell it to a scrap yard for money to gamble. Like I said, chasing the dime, except the dime is an elusive rabbit and I’m an inefficient hunter. I’m awful at gambling because I honestly think I’m more intelligent than speed figures and breeding and past performances. I’ll chase that dime, that high until I land in a parking garage.

January 2012

I’m halfway asleep when I hear a car approaching. Headlights flash over my frozen body. Cops. Dammit. I get up and walk to the car. Two officers, but only one speaks. He’s young. He asked me what I was doing here and whatnot. I mumbled my usual bullshit answer and he eventually said something about we didn’t see you here. His way of saying go back to sleep, you’re not in trouble. I was relieved.

Roughly two hours later and another car approaching. I’m bathed in headlights again. Dammit. I get up and walk to the car. A familiar face, the young cop has returned in his personal vehicle. He has stuff for me. McDonald’s. A quarter pounder and fries. A gift certificate. Gloves and toboggan. A puzzle book and pen. I wanted to cry. I wanted to hug him. He told me about a place where I could get help, Transitional Living. He knew the woman who ran it, gave me her card and told me to call her tomorrow. He also said he was going to call her. This place helped the homeless and mentally ill. He knew I was in trouble and he went out of his way to intervene. An absolute saint. He pulled away and I tried to go back to sleep but couldn’t. I kept thinking about the kind and caring police officer. A good man. A good human. The opposite of me. I also thought about Transitional Living. Hope on a business card. I would eventually get in touch with them and start the long process of getting better. Years of therapy. A case manager who worked her ass off to transform me. Medication for depression. A new chapter began. A new me was born. I became a real dad again.

I made it through to the other side because of a young cop. Because of Transitional Living. Because I was resilient and wanted to change. I embraced it. This story ends with me in my own home, warm and cozy, writing about the past. And hope. Because hope is real. Clutch  it like it’s a newborn and never let go. Hope saved me many moons ago. It can save you, too. You must believe in something you can’t see or touch but is always there.

Chris Milam lives in Middletown, Ohio. His stories have appeared in Jellyfish Review, X-R-A-Y, Lost Balloon, JMWW, Molotov Cocktail, and elsewhere, You can find him on Twitter @Blukris.Attachments area

NF Prose by Josh Olsen

Spontaneous

My partner recently told me that she can tell I was mostly raised by my grandparents. She called me the oldest young person she knows. Or was it the youngest old person? Either way, her point was made. And I can’t deny it, as much as I’d like to try. I do appreciate a quiet night at home, devoid of surprise run-in or unscheduled interruption. Even when I make plans, well in advance, no matter how much I’m looking forward to it, whether it’s a concert, a baseball game, a poetry reading, or a live pro wrestling event, when the day of the show comes, I’d rather stay at home, and even after I’ve convinced myself to go, no matter how much I enjoy it in the moment, I’m happiest when it’s over. Katie told me that I lack spontaneity, and my response was that I experienced enough spontaneity in my childhood to last me the rest of my life. Katie rightfully groaned and rolled her eyes, her response whenever she felt I was playing the victim, and I said, “I lived in 20 different houses before I was sixteen!” My mom and my stepdad were spontaneous, spontaneous with their jobs and their bills and their fidelity and rent, and as a result of their spontaneity, we would spontaneously move to two or three different apartments in one year. During the first grade, I attended three different elementary schools (one of them twice that year), a fact that still makes my mother cry when I bring it up. All three schools were within the same school district, in Holmen, Wisconsin, a village with fewer than 10,000 people, but for a first grader in the mid-1980s, they might as well have been on different continents. For one of the schools, I was only enrolled a couple weeks, while I temporarily lived with my maternal grandparents (hardly the first or last time). I barely remember anything about it, except for pissing my pants one day because I was too shy to raise my hand and ask for permission to be excused for the boy’s room, but it turns out that my brief presence evolved into a bit of an urban legend for my classmates. One evening, in my early 20s, I was approached by a group of drunk college students (granted, I was also then a drunk college student) and asked if my name was “Josh Sather.” And, well, the answer was yes. “Sather” was my legal last name before I was adopted by my stepdad, when I was in the second grade, but for these strangers to know me by that name, it meant they would’ve had to know me before then. So, yeah, I am Josh Sather, I confessed, and my answer was met with an explosion of laughter and profanity. “Holy shit, where the fuck did you go?” one of them asked. “What the fuck happened to you?” another slurred. “I told you he existed!” said another. As it turns out, this gathering of intoxicated individuals had all gone to school together, from kindergarten through their senior year of high school, and my two weeks in their classroom, in first grade, was like a blip in their collective memory, like a shared delusion. The weird, quiet, ambiguously ethnic apparition who showed up, unannounced, in the middle of the school year, and then vanished without a trace, just a couple weeks later. Did that even happen? they’d joke amongst themselves, Was he even real? And finally, it was confirmed, like the existence of Bigfoot. Josh Sather lived. “And that,” I proclaimed, “was the result of spontaneity.” Katie just looked at me and yawned, and then so did I.

At the Drive-In

I told my mom that Katie and I were at the drive-in, and she had plenty of romantic advice to give. “Buy her some popcorn, put your arm around her shoulder, hold her hand, and kiss her on the cheek,” she told me, as though this was our first date, and Katie and I hadn’t been together for over 18 years, and raised two kids and a dog. I read my mom’s text to Katie, and she sarcastically gave me the finger.

“Do you remember when you took me to American Werewolf in London?” I asked my mom, and she immediately began to apologize. When I was about 2 ½ years old, my mom took me to the drive-in theatre, with her then boyfriend/friend who was a boy, to see John Landis’ American Werewolf in London. I was obviously too scared to watch the whole movie, and almost immediately began to cry at the sight of Rick Baker’s groundbreaking, Academy Award winning horror effects, but it was one of the most formative memories of my childhood, and likely why I’m such a horror fanatic to this day. “Your grandparents weren’t always so perfect,” my mom said, attempting to change the subject. “They took me to the drive-in to see The Graduate when I was 7 years-old,” she said. She said watching the love scenes in the car with her parents was one of the most embarrassing experiences of her life, and she still hates Dustin Hoffman for that very reason. “That’s great,” I said, “you should ask grandma about that,” and once again the texts began to pour in. “You can never do that!” she said. “Grandma would be so mad. She would deny it. Don’t ask her about it. Promise me you won’t ask!” she begged via voice-to-text, and I promised her I wouldn’t ask.

“What a shame,” I said to Katie, “to be almost 60 years-old and still not feel comfortable talking to your only living parent like an adult … Remember when Jackson puked at the drive-in?” I suddenly recalled. Our son was barely one year old, and we had taken him and his then 6-year-old sister to the drive-in theatre, to watch Charlie and the Chocolate Factory. Katie had just finished feeding Jackson a bottle, he had just recently stopped nursing, and when she sat him up on her lap, to be burped, his entire stomach full of breast milk emptied onto the dashboard. Perhaps needless to say, we didn’t stick around to watch Johnny Depp’s performance as Willy Wonka, with Katie and Jackson soaked in hot, curdled breast milk, and his sister, Gabriella, throwing a crying fit over having to leave the movie early.

Well, on the night of July 3rd, Katie and I didn’t have any kids with us at the drive-in. It was just her and me, our first movie together, alone, in god knows how long. It didn’t even really matter what movie was playing, it was just good to be out of the house. “In the car, but out the house,” Katie posted on Facebook. All around us, even while the movie played, thunderous fireworks lit up the horizon. “Next time we’ll bring booze,” we promised each other, and sighed in relief when the credits rolled and it came time to crank the air conditioner.


Josh Olsen is a librarian in Flint, Michigan and the co-creator of Gimmick Press.

“Love Notes” by Abigail Swire

49229920066_c45746ac07_o

All I wanted was a note. It didn’t seem a lot to ask. It didn’t have to be perfect. It could be written in scribbles, like some nearly illegible clue. It could sail in on a fatal breeze folded into a paper airplane.It could be tucked into a locker, a backpack, a desk, this note that never came.

I remember almost everything before and after that first day of kindergarten. It was mid-year, after Christmas, because that’s when you start kids in school who are destined to have traumatic lives.

I remember my stupid outfit, and most of the names and faces of my classmates. After all, we would be stuck with each other for the next ten years. One of the twins took me under her wing. Karen and Kristen. Everyone got them confused because of the names and their identical outfits, but I didn’t understand it. They were paternal twins and had very distinctive qualities. It was Karen who showed me around. She was the friendly one.

In the midst of the introductions, we faced off on the battleground of the kindergarten room with two boys, a redhead with a fat face and a boy with black hair and blue eyes who was the most beautiful human thing I had ever seen.

“Don’t you hurt her,” Karen warned the boys.

“Don’t you hurt him,” the redhead said to me. 

The redhead was on my bus route. That first week he kicked me in the shin hard with his mountain boy boots. But he was the one who, before the year ended, ran across the room and planted a kiss on my cheek and ran away. The last I remember of Brad was ninth grade. By then I had forgiven the kick. He got sent home from school for wearing a shirt that said “Candy is good, but sex don’t rot teeth”, so who knows what kind of life he had at home.

Anyway, it was in the first few weeks after I started kindergarten when a lady from the office came to pull me out of class. I thought I was in trouble. I followed her into the principal’s office. The principal was female. These two women looked at me like they didn’t quite know what to do with me, like I might sprout wings and fly up in a corner. I waited.

It was just the Valentine’s Day party. Everyone was excited. I thought I was getting away with something but, no. The school had been notified that I was not allowed to participate due to religious reasons.

“Well, that’s ok. You can sit here,” the principal said. She put me at the corner vault with a little desk reserved for troublesome children. The office secretary brought me a napkin with a party cookie on it and a paper cup of punch. She looked at me with pity as she set it down.

“Here you go.”

I picked up the cookie, which fell apart. So I sat there and ate my crumbs with red sprinkles. Thus began my long journey to becoming a social pariah.

I used to check for a note from a secret admirer. I became obsessed with the idea of having a secret admirer. Other girls got notes in their desks, but my desk stayed neat and empty. I got a “Neat Desk Award” every month of fifth grade. Valentine’s Day in particular would have been a good time to get a note. Every year we made those heart shaped paper folders that were stapled together and hung them on the back of our chairs. No one came to pull me out of the party, but ever after I felt like an infiltrator, waiting for the authorities to appear at the door. I had one girl friend, Brigette. We were both untouchables when it came to other girls. Maybe because we were both tomboys or because we were quiet and artistic. We compared our valentines folders.

“Look at this one,” Brigette said with disgust. She slid her valentine over. It said “From a sicrit admire”.

I never had a secret admirer that I am aware of until I was 18. There were no notes. I got other kinds of notes, late night letters of remorse, apologies fueled by alcohol and cocaine. Most of the secret admirers I didn’t even know about until 10 or 15 years later when I heard it through the grapevine from the one guy friend I had left.

“You know so-and-so, right? Yah, he works in my office. He said he was gonna ask you out once, but he was too intimidated.”

By then it was nothing. I subconsciously blamed the secret admirers for being spineless. And, as for me, they could just catalogue me away with the rest of their wasted opportunities. It was up to me to be the person to give my world what it needed. To take the risks, where angels fear to tread, beyond the realm of cowards and unwritten letters. Now all I’ve got left are some petty words. That’s my song and dance. The dance is a private thing. So here’s a song. Not to myself or even necessarily as a gift to the world.

 

FROM A SICRIT ADMIRE:

“Don’t get me wrong

If I’m looking kind of dazzled

I see neon lights

Whenever you walk by

Don’t get me wrong

If you say, “hello”, and I take a ride

Upon a sea where the mystic moon

Is playing havoc with the tide

Don’t get me wrong

Don’t get me wrong

If I’m acting so distracted

I’m thinking about the fireworks

That go off when you smile

Don’t get me wrong

If I split like light refracted

I’m only off to wander

Across a moonlit mile”

~The Pretenders

 

Abigail Swire writes fiction and non-fiction. She served time as a journalist, mad scientist, and assembly line worker, among other things. Abigail has published articles and short stories for various media.She is currently working on her first novel, The Factory.

Excerpt of “Les Essais” by Courtney Bush

756859227_a6754830de_o.jpg

 

The World We Live In 

In the waiting room of the Department of Education where I held my number in the line to get my fingerprints taken, a TV lawyer instructed us to call 1-800-HURT.  The governor who looks like my Chihuahua mix said the attempt to spread fear is the world we live in. So the world we live in is only an attempt. 

 

 

The Culkins 

I want to find a long lost Culkin brother. I believe most people I know are secretly on the hunt for a lost Culkin.  We like their skinny pale bodies because they remind us of drugs we are too afraid to take and the desperation it would take to get us to take them which we have not yet experienced but sort of long to and this sensation about the Culkins we get only from movies and paparazzi photos and word of mouth and marketing. The Culkins are marketed by their own lives exactly to me and my friends. I moved to New York without knowing I moved to New York expecting to find a Culkin in some disgusting bar nobody else knew about and who would love only me, only me and party drugs, but now I know this as I search for him, even when I read I search for him. When I read books in my apartment and when I sleep. A blonde Culkin, a light brown haired Culkin, a Culkin who likes art. The Culkins are so baroque. A baroque Culkin endears himself to me when he exists.

 

 

The Best Days of My Life

Those were the best days of my life. I listen to the soundbyte from that Bon Jovi song in my imagination every time I think of any memory from my past. I don’t know when I started doing it. Those were the best days of my life. I was at Jameson’s birthday party at Kiki’s the restaurant for cool hot young people by East Broadway and I peed in the toilet and my pee was hot pink because I had been eating only borscht for three days because I made two gallons of borscht by accident and my now ex-husband wouldn’t eat any of it because it was admittedly not that good. The toilet wouldn’t flush and there was a long line of hot young people waiting to pee so I got down on the floor and repaired the toilet and went back to the table full of Jameson and five beautiful female strangers and told them I had repaired the toilet because of my fuschia pee and those were the best days of my life. 

 

Courtney Bush is a poet, filmmaker, and preschool teacher from Biloxi, Mississippi. Her writing has most recently appeared in blush_lit, Critical Quarterly, Night Music Journal, and Ghost City Review. Her divorce chapbook ISN’T THIS NICE? was published by blush_lit in October 2019. Her films Kim Bush’s Abduction and Marilyn Monroe’s School for French Girls can be found on NoBudge.com. She is the co-host of Letters to a Young Minion, a poets’ podcast about the Minions, alongside poet Jeesoo Lee.