“No Flavor” by Mika Hrejsa

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black-on-black kicks splayed forward
toes up to the indiana sun dimming
melting under 55 degrees
artifacted smirks & sour smiles
i sink below limestone fangs
blunted with petrified sponges
watching immensity pass me by

capacity to give a shit prepaid via
oxycodone-coated credit cards
declined, declined–i keep licking
off the oxy dust anyway

comforts superficial before
they touch the mouth
a baby viperfish threading
thru my eye sockets making
it live off candy roaches
feeding the surrogate anger

a sugar-coated silence begins
to flood the street, only skeletons remain

low-hanging moon dumped on
by a cherry slushie
donating my bloodsweets to wolf howls

i take a hit off the vape my boyfriend
gave me for the anniversary of the
first time i blew him in a parking lot
on Anna Marie Island
lungs liquefy and begin to drip
onto my stomach
smoke right through my chest gaped
like coastal vortex
spitting out platinum buckshot
bubbling up from my esophagus

making myself into fragments
pair of chuck taylor’s my gravestone
i’m not picking up the pieces

 

Mika Hrejsa is a trans girl and poet from rural Indiana. She mainly writes about identity, sexuality, and trauma. She tweets @tokyo_vamp. Her work can be found at http://neutralspaces.co/mikahrejsa/

“A Human Heart” by Austin Davis

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I’m missing you,
so obviously, this cloud
looks like a heart.

Not the corporate, greeting
card, capitalist kind of heart,
all cartoonish and fake,

or the smooth shape
two swans’ necks make
when they’re about
to get it on
to some lofi jazz shit,

but a real heart.

This is the kind of heart
I’ve drawn at the bottom
of every love poem
I’ve ever written you.

This is a human heart,
gross and squishy –
as raw and intimate

as standing naked in the daylight
in front of your soulmate
for the first time.

This is the kind of heart
that makes sure
your hand pulls out a dollar

every time a homeless woman
tells a shopping cart
about her childhood.

This is the only sad, beautiful
little thing no poet could ever
find a way to capture
with a pen or a cigarette,

the soft, juicy peach
floating through our night’s
quiet chest, far too in love

with the way its sun
will always love the color purple
at 5 in the afternoon

to take another beat
or shed another tear.

Austin Davis is a poet and student activist currently studying Creative Writing at ASU. Austin’s writing has been widely published in dozens of literary journals and magazines including Pif Magazine, After the Pause, Philosophical Idiot, Soft Cartel, and Collective Unrest. Austin’s first two books, Cloudy Days, Still Nights and Second Civil War were both published by Moran Press in 2018.  

“7th Grade” by Austin Davis

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When I was in 7th grade,
I went to one of those talent shows
where jr high kids sing
their favorite sad songs.

One girl sang “Let Her Go”
in the kind of dark auditorium
that made me feel like a caveman
trying to articulate how scary death is
through grunts and growls.

In the row behind me,
this little blonde kid named Clay
whispered, Ain’t that the truth, man

as the girl with the kind of bruises
the doctor doesn’t notice during check-ups
sang, Only know you’ve been high
when you’re feeling low.

I used to know Clay
before he started lighting joints
between every class
and ashing them in the water fountains
when the bell rang.

This was the kid
whose code name for pot was “pizza,”
the kid who mixed little blue pills
into his Kraft mac & cheese,

the kid whose big brother
gotten taken away in handcuffs
for dealing that hard shit one September night
after helping his little brother
with a geometry worksheet.

This is the little boy, who 3 years later,
bumped into me on my way to gym class
with bloodshot eyes – fucked out of his mind
on meth, laughing the way the Joker does
after carving his initials into a teenager’s forehead.

He shoved a handmade vase into my arms.
A burnout kid crying on the moon
was painted on the side of the vase,
the color of a lit match
snuffed out in a sip of grape soda.

I didn’t know whether to grab Clay’s hand,
spit on the vase until the paint melted into a universe,
and throw the puddle of colors on to his chest
like the last handful of water in a dried out creek,

or if I should just walk away,
drop a fist of seeds into the vase,
and pray that one day,
a daffodil might find a way to grow.

Austin Davis is a poet and student activist currently studying Creative Writing at ASU. Austin’s writing has been widely published in dozens of literary journals and magazines including Pif Magazine, After the Pause, Philosophical Idiot, Soft Cartel, and Collective Unrest. Austin’s first two books, Cloudy Days, Still Nights and Second Civil War were both published by Moran Press in 2018.  

“Seventeen Senryū” by Tom Snarsky

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I’m the pinball, falling absurdly back down when you miss the skill shot

The party ended four hours ago and you are just now arriving

Picking over the trash heap of your heart, you find nothing worth saving

The thing about beautiful sculptures made of shit is they’re made of shit

You try to have sex but your legs feel like they’ve already given up

I reach out across the space of the dream and try in vain to touch you

Love’s like horseradish: you have some & then fail to taste anything else

Remember that you are a molehill that can step on other molehills

Dermatologist recommended for when you’ve cried so hard you glow

When I waste water I think about the future, how dry it will be

Why get worked up about something when our collective end is so near

You climax and are immediately filled with a vast emptiness

True & brutal fact: yesterday’s future is none other than today

I’ve started to think in these now, which at least means I’ve started to think

Unicorns are in. Lisa Frank unicorns, by contrast, are way in

Please don’t look at me like I’m your father texting you with emojis

Mind like a diaper: changed frequently in light of new information

 

Tom Snarsky is getting married soon.