“Transmutation of Waste” by Leah Mueller

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Recycling your IRS
pay or die letters
is an essential part
of being a good American. 

They were made from trees,
ground into pulp, flattened.
Emblazoned with words

like “forfeiture.” Sent
through the hands
of dutiful couriers
from the US government–

postal carriers in
year-round shorts,
sturdy men and women

who avoid your eyes
while they command
you to electro-sign
their sinister plastic devices.

Never keep these notices,
you don’t want your
friends to see them.

Don’t burn them,
it causes global warming.

Don’t throw them away,
they’ll end up in landfills.

Reuse the letters by
putting them in your
blue recycle bin

beside those spent bottles
of wine you couldn’t afford
but drank anyway.

The letter will leave
your hands and travel
to a facility for its revival.

Its smooth, mended surface
beckons false promise,
reincarnation as toilet paper
or perhaps a love letter.

Instead, it will be transformed
into yet another postal edition
of terrible news, since

nothing good ever comes
in the mail anymore.

 

Leah Mueller is an indie writer and spoken word performer from Tacoma, Washington. She has published books with numerous small presses. Her most recent volumes, “Misguided Behavior, Tales of Poor Life Choices” (Czykmate Press) and “Death and Heartbreak” (Weasel Press) were released in October, 2019. Leah’s work also appears in Blunderbuss, The Spectacle, Outlook Springs, Atticus Review, Your Impossible Voice, and other publications. She won honorable mention in the 2012 Wergle Flomp Humor Poetry contest. Her new chapbook, “Cocktails at Denny’s” was published by Alien Buddha Press in November, 2019.

3 Poems by Leah Mueller

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Why You Won’t be Getting a Refund

Thanks for leaving
my rental house
trashed with your emotions.

You can’t have any of your
security deposit back. 

Those many ersatz moments
when you mentioned loving me
will all count as damages.

I’ve kept track of each one,
in case you want
an itemized report.

The carpet cleaning bill
from your meltdowns
was bad enough, 

but then you put your fist
through my window,
jumped into the yard
and took off running
before I could catch you
and hold you accountable.

Rest assured; I’ll make sure
I find you, even without
a forwarding address.

Meanwhile, I’ll take comfort
in knowing your reputation’s so poor
that even the landladies
in your hometown

would rather see you starve
then ever rent to you again.

 

 

Lullaby

Someday
you’ll understand

what it means,
and then you’ll forget:
like when the sun
comes out 

right before sundown:
brilliant half hour,
then darkness.

Sleep, and wait
for the next one.

 

 

Metastasis

One wish:
to go backwards

in time, and
stop the army

from invading
your skeleton

before it captured
your cells:

that wish
never granted,

your chance forever
blown into shrapnel,

scattered like
bits of detritus:

burnt sacrifice
to indifferent gods.

 

Leah Mueller is an indie writer and spoken word performer from Tacoma, Washington. She has published books with numerous small presses. Her most recent volumes, “Misguided Behavior, Tales of Poor Life Choices” (Czykmate Press) and “Death and Heartbreak” (Weasel Press) were released in October, 2019. Leah’s work also appears in Blunderbuss, The Spectacle, Outlook Springs, Atticus Review, Your Impossible Voice, and other publications. She won honorable mention in the 2012 Wergle Flomp Humor Poetry contest. Her new chapbook, “Cocktails at Denny’s” will be published by Alien Buddha Press in November, 2019.

“A Methodical Approach to Sleeping Alone” by Hallie Nowak

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Step 1: Light a candle. Break some incense.

Step 2: Admire the pile of dirty clothes at the foot of your bed. (Look, but don’t touch.)

Step 3: Turn off the lights to hide the pile of dirty clothes at the foot of your bed.

Step 4: Sit down on your bed that is too big for just you and barely close your eyes.

Step 5: Remember the fingertip of the first snowflake of winter on your eyelash.

Step 6: Remember the time that you locked yourself out of your apartment on Christmas Eve.

Step 7: Forget that you’re alone.

Step 7: Forget that you’re alone.

Step 7.5: Remember that you’re alone under the swollen moon and the pinpricks of stars and the cold, clear voice of winter. Everything leaks through the hairline crack in your window. A breeze bursts against your sallow midriff.

Step 8: Pluck the petals from your skin and carefully stack them on the corner of your bedside table. Admire the way they wilt, that dusty scent of your loneliness.

Step 9: Are you alone,

Step 10: Brood about the way you squeeze the toothpaste the wrong way.

Step 9: Or are you lonely?

Step 11: Get out of bed. Check your dim reflection obsessively. Note the discoloration under your eye. Note that the discoloration under your eye is the ashen scarf tangled in the bare fingers of branch in Moody Park. 

Step 12: Stroke the sad subtle indent his body left in your memory foam mattress.

Step 13: Make yourself cry.

Step 14: Weep until you feel a spirit leave your gasping mouth. 

Step 15: Flip the damn pillow over.

Step 16: Remember that the human capacity for love is infinite. Remember to lock the door to your house. Remember that your roommate makes breakfast for dinner. Remember to watch for shadows of men in the street. Remember that IHOP is open 24/7. Remember to brush your teeth. Remember the inky kindness in your cat’s eye. Remember the warm breve latte in your hand at Old Crown. Remember to feel everything. Remember to feel nothing. Remember that you are a Scorpio. Remember that everyone is alone: that no body is alone.

Step 18: The snow outside the window collects onto the glass pane next to your bed. The portable heater says 79 degrees. Your loneliness collects thin shards of ice. Your bed is warm. Your pillow is cold. How beautiful it is to be warm in a room collecting snowbanks. How beautiful it is to be not lonely; to be completely and irrefutably alone: 

in dreams; in sleep; within; without; alone.

 

Hallie Nowak is a poet and artist writing and residing in Fort Wayne, Indiana, where she is in pursuit of her undergraduate degree in English at Purdue University Fort Wayne. She is the author of Girlblooded, a poetry chapbook (Dandelion Review, 2018). Her work can also be read in Anti-Heroin Chic, Honey & Lime, Okay Donkey, and Noble/Gas Qrtrly where her poem, “A Dissected Body Speaks,” was awarded runner-up for the 2018 Birdwhistle Prize. 

Twitter: @heyguysimhallie
Instagram: @hallie_nowak

 

“Hot Lunch Program” (poetry & visual art) by Cyd Gottlieb

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Cyd Gottlieb works out of Toledo, OH. Her creative contributions have channeled themselves by way of the ICA/Boston, ChaShaMa (Brooklyn), the Isabella Stewart Gardner Museum, the Toledo Museum of Art, Harvard University Press, and Instagram (@pischonk02). Presently, she tends bar through tone and serves face with an eye.

3 Poems by Mike Andrelczyk

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The guy that drew the Wile E. Coyote and Road Runner Cartoon

He was probably often ridiculously sad 

like all of us get sometimes

drinking a beer looking at a yellow wall

and then he would spend endless hours 

at a drawing desk drawing cels  

that slowly moved the Coyote

closer to some inevitable cartoon cliff edge or fake mountain tunnel 

to some hilarious not-death

and that was his job


Oyster No. 1

The first person

To ever eat 

An oyster

Was probably


Also


The first person

To eat a rock


School

I was walking

To the purple school

The purple school

Was far away

And small

And as I walked 

The school

Never grew

And I started to run

Still

The school never grew

It was after midnight

And I was late for school

And I’m 36.

 

Mike Andrelczyk lives in Strasburg, PA. He is the author of the chapbook “The Iguana Green City & Other Poems” (Ghost City Press, 2018). Find more work at neutral spaces.co/mikeandrelczyk.

New Book: “Dissolving” (Alien Buddha Pres) available here.

twitter: @MikeAndrelczyk

 

“Pale Blue Whisper” by D. Price Williamson

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“Why are you sad, Daddy?”

“I was thinking about Grandpa.”

“Why, Daddy?”

“His eyes.”  

Pale blue eyes,
Colored by the horror of war in the South Pacific,
Once filled with promise in the redemption of a returning Marine,
Alive, warm in the embrace of young love,
Those eyes, stern and fair, glowed with pride for his family and grew calm with the wisdom of a well-lived life.

But in the twilight before his mind disappeared, those eyes begged me to stay;
Lenses clouded, they pleaded to understand the loss of will and control.
Eyes that searched mine for peace, finality,
Until the last flicker of reason was but a pale blue whisper,
Haunting me.

“I love you, Daddy.”

“I love you, too.”

“We love each other.”

“Yes, we do.”

 

D. Price Williamson is a veteran, dad, lawyer, occasional writer, and wannabe outdoorsman and athlete.  He lives in Pennsylvania with his wife, youngest daughter, and a silly dog named Isabel. 

Twitter: @PriceWilliamson

“THE BEST YEARS OF OUR LIVES” by Nicholas Beren

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In regard to me, in regard to us
So it possesses the burden of the blood

Who put her on the floor?
The preparation of her body 

Was a charitable event
Her edges would brighten 

Her father placed her there
Nearest to the grave

Between the blankets being fathers
Between the fathers being graves

It was a charitable event
She looks happy smiling iridescent

Are my legs shut?
Is the music still on?

 

Nicholas Beren is a New Jersey native. In addition to his poetry, he has written film criticism and features for sundry outlets, online and in print. You can find him on twitter @BerenNicholas. He still lives in New Jersey.

“THIEF” by Jeffrey Yamaguchi

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The refrigerator is there and it always will be,
until the building gets torn down.
I have the urge to move it.
That is likely impossible, but certainly I could topple it.

Someone stole Ronald’s sandwich and this has happened before,
so he was on a tear.
He was going to find The Thief.
He kept saying that.
And once he did, I wondered,
what exactly was he going to do?
Thrust his arm down the person’s throat
and pull out the remnants of his sandwich?

I don’t even know how it happened.
I was in Maxine’s office working on the just delivered
last chapter of the manuscript,
only to get disturbed by some writer that I had never seen before.
He talked about Maxine like he knew her well,
and I kept explaining she was out for the rest of the day.

Finally, he left.
When I settled back into my seat,
I realized the manuscript was gone.
I’m staring down to the streets below and looking at all the people.
They don’t look like ants.
They look like people, and any one of them
walking this way and that way to who the fuck knows where
could be the crazy person who stole the manuscript
and is about to collapse the charade of my career
before I even get a chance to start one up.

Are these windows really unbreakable?
I’m not even supposed to be here.
I haven’t eaten anything all day.
Fucking Ronald and his sandwich.
I walk over to the refrigerator and pull.

 

Jeffrey Yamaguchi creates projects with words, photos, and video as art explorations, as well as through his work in the publishing industry. @jeffyamaguchi (https://twitter.com/jeffyamaguchi) | jeffreyyamaguchi.com

“Anvil eyelids fall– ” Kayla Lutz

 

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And I don’t remember a damn thing
You could have told me:
that you were a ghost or
perhaps the dog was carried away by
an owl or that you wanted to
leave the country and wouldn’t be
home to make coffee in the morning or maybe
the dryer was on fire but
the woodstove was already broken so
at least we’re warm for the night or
that you want to streak while
jumping out of a plane! Your penis
airborne for the first time!
You could even have told me that Atlantis was
discovered inside the stomach of
a beached Loch Ness monster but—
why would it have mattered anyway?

You would still be gone—
so let me sleep.

 

Kayla Lutz is a poet living in the Seacoast area of New Hampshire. They are a poetry editor and the social media manager of Periwinkle Literary Magazine. Their work has previously appeared in Royal Rose Magazine. You can find her unpublished ramblings on

Twitter: @Oh_Kay_Poet.

“The Next Number” by Kyla Houbolt

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The Elvis impersonator sings to the jungle. It is the only place he can go to practice undisturbed because neighbors, also family. The jungle does not provide feedback, instead it swallows the music in great wet silent gulps. It also makes him sweat through his costume, but this is a dress rehearsal so he must soldier on. He must get really good because he craves that applause. Here is a rehearsal for hecklers. The monkeys and birds threaten to drown him out so forget crooning. The trees continue to drip on him and fill his eyes with alien water. Not his, not his at all. Come on, he tells himself, sing the next number. A snake slides along a tree limb above. He does not see it, already thinking of chemical relief, his personal porcelain ending.

 

Kyla Houbolt writes, mostly poetry, though she is old enough to know better. She has a micro chap coming from @IceFloe Press and is Best of the Net nominee 2019. You can find her work in Mojave He[art] Journal, Barren Magazine, Burning House/The Arsonista, Neologism, The Hellebore, and elsewhere. Most of her published work can be found via her Linktree, here: @luaz_poet | Linktree and she is on Twitter @luaz_poet.