“We Are Fucking Happy” by Kristin Garth

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A steakhouse parking lot, first date, first dom
will ask to tickle.  You’ll cooperate —
a subtle nod, half-closed eyelids.  His palms
first touch your trembling ribs.  Breathe against, wait,

until fingertips pry paroxysms,
open thighs, one hand around a throat, can’t
cum until you will comply — conditions:
you are a pleasure, denied, he may grant,

unexclusively, to you — and then some
friends.  You could learn to like it or you can
hold it in behind a cervix fingers strum
numb. We are fucking happy. Understand?

A protocol practiced, parking lots before,
brings college girls to his living room floor.

 


Kristin Garth is a Pushcart, Best of the Net & Rhysling nominated poet from Pensacola and a sonnet stalker.  Her sonnets have stalked magazines like Five: 2: One, Yes, Glass, Luna Luna, Occulum, Drunk Monkeys, and other places.  She is the author of eleven books of poetry including Pink Plastic House (Maverick Duck Press), Puritan U (Rhythm & Bones Press) and Candy Cigarette Womanchild Noir (The Hedgehog Poetry Press) and the forthcoming Flutter: Southern Gothic Fever Dream (TwistiT Press, 2020) and Dewy Decimals (Arkay Artists, 2020).

Follow her on Twitter: @lolaandjolie 

and her website (kristingarth.com)

COLLEGE NOVEL Review by Alex Weidman

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An early scene in this book tests the reader. Jordan and Robert are sitting on a bench discussing what a Cobb salad is when someone walks by yelling about “horrible marketing.” Jordan asks Robert if he can imagine “getting upset over horrible marketing.” Robert says he feels like “Jesus on the cross.” It’s a very funny exchange, indicative of the way real sentiment in this generation can only be expressed boiled down through a joke. If you do not know who is walking by, if you can’t picture the dude on his cellphone yelling about horrible marketing, you’re going to have a hard time understanding what is going on in this book. Things are so divided right now, as the cliché goes, that there are people who don’t understand—who couldn’t even comprehend—that the horrible marketing guy is the disaster looming over the end of this book and these characters. There are people who would be unable to understand that this book isn’t about a descent into chaos, or about how crazy and nihilistic young people are nowadays, this book is about the time right before you descend into chaos, right before you become a nihilist and start to care about something like marketing. All of which is to say: this is a book about right before you enter the real world. 

College Novel is also a book about bullshitting. Built episodically, almost like a sitcom, it moves along primarily through dialog, with most scenes revolving around little more than a collection of characters doing drugs or drinking, packed with inside jokes and irony. The characters, often in various states of laying around on the floor, talk about wanting to die at Six Flags, whether they need more beer, joining ISIS, and the Scrubs actor Zach Braff. If the dialog had not been so funny and masterfully translated to text, this book probably wouldn’t have worked at all. I don’t know how you create such random dialog so specifically. I can only think that Blake must have recordings of him and his friends talking, because despite knowing and understanding this language of nonsense these characters use, I couldn’t even begin to recall it or know where to start when writing it. It is the most impressive aspect of this book, and also its moral mirror. 

Beyond the dialog and these scenes the plot is spare, sort of leading up to Jordan graduating college and centering primarily on which character he should date. But, like a sitcom, a larger picture comes out of such nothingness. What comes out of this book is an excellent depiction of what almost being an adult is like for a lot of young people right now. And that’s because a lot of young people right now are also just bullshitting.

But, again, this book isn’t about nihilism. There’s still a meaning within so much bullshit. People are concerned about all the bullshitting young people do nowadays, especially young white people, and there are certainly places where the bullshitting is an edgy vacuum of meaning that always seems to let in shit like the meninist or incel or white supremacist ideologies. But there isn’t a vacuum in the middle of this book, because these characters are still searching for something. Like the dialog, there is something sincere hidden behind the randomness.

In a scene toward the end of College Novel, Jordan and Abby take acid while housesitting a cousin’s mansion. Despite it not being a bad trip, the two don’t like it. They don’t like it because of how disconnected from reality it makes them feel. “People that take acid frequently probably hate reality. It’s just like, so unlike reality,” Jordan explains. Later he says, “I think that’s why acid makes people freak out. They like, forget that they took drugs, and mistake whatever is happening for reality.” What is important is that they are not trying to escape, as this behavior is often accused of.

In a scene right before Jordan and Abby take acid, they take mushrooms, and something completely different happens. The two relax and feel happy. “It feels nice not to have anything that I feel like I need to figure out right now,” Jordan explains. “I feel happy,” Abby says, adding, “I think I just realize that so many things that, uh, we’re taught to care about, are just like, bullshit.” This moment highlights what Jordan is really searching for throughout College Novel, and what a lot of young people are searching for: a way to be happy within the world, despite where the world is going and trying to take you. And if the recognition that things we’re “taught to care about, are just like, bullshit,” sounds like a trivial and childish realization, well, just look around. Our world is overrun with people who care about things like marketing. Our colleges are purposefully overrun with people who care about marketing. The big question for these characters isn’t whether they’ve got their priorities straight, because they already hate money and are just looking for ways to be happy and good people, but whether those priorities can be sustained after college when one enters the real world, which is a very honest and important question for a lot of people. And while this book doesn’t answer that (it’d be a very different book if it did), it does insist on something meaningful beneath all our bullshit, and helpful to see.

 

you can purchase COLLEGE NOVEL here.

 

Alex Weidman lives in West Virginia and is 24 years old. 

“And Things Like This” by Matthew Lovitt

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There was a certain look about Frank, a look like make me or prove it or you call that game? And standing near the reinforced window, the sun softening the ragged contours of his face, it was hard to know if he was really insane—a puzzle made of a fresh snow bank. Virgin white cut with shades of gray. Psych admissions were often a matter of three hots and a cot, the mental health deputies would say. How right they were, their minds were already made. Yet still I wanted to inspire change.

And so I said, How are you feeling, Frank?

He said, Okay.

And you’re adjusting to the hospital’s routine?

Sure.

What about your delusions?

Same.

Yesterday you mentioned the mob.

They’re going to slit my throat, I would say.

Care to elaborate?
What’s the point?

I can help.

Unlikely.

And maybe he was right— what little help I could provide was likely too late. For patients like him, the best bet was to minimize the pain. Which to me meant therapy and space. Then again what would the insurance company say? Treat him and street him, never mind the coping skills he won’t retain. Or snow him with meds then call it a day. But there was more to social work than getting paid.

What about the Abilify, Frank?

It makes it so I can’t shit.

I can ask the doctor to add a stool softener to your regiment.

The stools fine. It’s my guts what’re bad.

I pursed my lips.

And the voices, they won’t quit.

What’re they saying?

They’re screaming for a cigarette.

That’s it?

He shrugged.

Well I guess it could be worse. They could be whispering obscene… Never mind. But tell me where you’ll go when you leave here, where you’ll live.

My truck.

And you’ll be safe?

Safe enough.

I said, Okay.

Because who were we to force upon him four walls, poly-blend sheets? Where he chose to live was his choice to make. And to drop him at a shelter would put more than one life in harm’s way. A history of violence is a hard thing to escape. Bombs exploded atop the brainstem. But that was a conversation for another session.

Do you have any questions for me? I said.

He scratched his chin.

If not, that’s okay.

What would happen if I tried to escape?

The police would bring you back.

I meant jump into rush-hour traffic.

And you lived?

He nodded.

Same.

Okay.

Or worse.

Worse.

Probably a months long commitment with the state.

He said, Oh.

You’re not…

Yes.

Okay.

He lowered his eyes, ran his finger down the window frame.

After escorting Frank back to the unit, I told Dr. Dobson of his constipation, suicidal ideation, and severely depressed affect. She told me to contact his family to let them know that the patient would be leaving before the end of the same day. I was to give them the phone number to the crisis line, for when Frank experienced his next break. When, not if; also just in case. 

 

•••

 

Frank stared into the middle space. From behind the nurse’s station, I asked him his pharmacy of preference, outlined the documents required for his MHMR admit assessment, and requested he sign a release for me to talk to his family about the diagnosis. To involve his loved ones would improve his chances of success and educate them on how to best support Frank through the recovery process. But when I slid the ROI across the desk, he crumpled the document, kicked a hole in the wall, then paced the unit, beating on his chest. 

I’m a human being! he said.

What he meant was anyone’s guess, but when the tech attempted to calm him, he spat at her, called her a bitch. Then the charge nurse called Code Blue over the PA system, and onto the unit descended all available hospital staff—admins, cooks, and facilities men. They circled about him, with their hands held in front of their chests. The nurse stepped forward, whispered thinly veiled threats, and then down she went. Blood spurted from her mouth, covered Franks clenched fist. 

I felt bad for her, but what did she expect? This wasn’t the Ritz. And what reason can be heard over the voices yelling homicidal threats—figments? God doesn’t love every one of His children best. There are winners and losers, usually the opposite of first guess. At least Frank knew to smile when they stuck him with max dosage emergency meds. Which is when I thought we might end up friends.

 

•••

 

The nurse held a bloody napkin to her lip. Dr. Dobson sucked on the cap of her pen. I said, I think we should hold him, give the meds more time to take effect. Forty-eight hours isn’t enough to learn what’s happened to him, not to its full extent. And if I can convince Frank to attend a few groups, he may reveal more of what’s going on in his head—a win-win. Really he’s quite intelligent. Or he seems to understand the system. Which to me suggests a need not met. One more day, I pleaded. We owe that much to him.

 

•••

 

Frank sat in front of the television, passing gas. The stench hung about him as a Linus Van Pelt-like mist. Sill I sat, feigned interest in the TV evangelist, preaching Original Sin. We were born to defy Him. But salvation could be had for the price of twenty-two inch rims, touch-screen navigation, and, to a lesser extent, limo tint. God wanted for his servants the finest Cadillac. And did we really want to betray His wish?

Frank said, Amen.

So you’re a believer? I said.

Hell yes.

Well then maybe you’ll appreciate the topic of today’s life skills group—developing a positive social support system. If religion isn’t that, I don’t know what is. Care to join us?

No.

How about a cup of coffee? 

Pass.

A cigarette then.

 

•••

 

I opened the group with my story into recovery from mental illness. At sixteen I was diagnosed with major depressive and personality disorders after eating a handful of benzodiazepines, NSAIDS, and antidepressants. I bounced in and out of commitments for a decade, until I met the man who helped me see beyond the broken thoughts like dead bodies sunk in my head. Now my mission was to help others find their solution. And of the group I asked if there was anyone in their lives who might provide the same kind of perspective.

Which was when Frank shot to his feet, and said, I ain’t got no mental problem. The real problem is people like you telling me I’m sick…bad. Just because I don’t follow your rules doesn’t mean I’m broke or lost or stupid. I want to walk hand-in-hand with Our Lord and Savior. Unto Heaven. That’s it! Not like you give a shit. Oh and where’s that cigarette?

I said, What I hear you saying is that you find strength in your faith.

That’s right.

And that you don’t care for our treatment methods.

He curled his lip.

That’s excellent, I said. Thank you for sharing your experience. And you’re right in that religion can be a positive influence. Would anyone else like to share a helpful person, group, or association in their support system?

A sallow-looking man raised his hand.

Go ahead, I said.

Women.

Is there a particular woman?

My wife.

That’s great! Our families are great supports, assuming they want what’s best. Which is not always the case. Consider yourself blessed.

The man smiled.

Frank muttered, Horseshit.

I said, Do you have something to contribute, Frank?

I see what you’re doing, calling my family garbage.

Tell me more about that.

About your voodoo mind tricks?

About what you perceive as an indictment.

Frank puffed his chest. Who’re you calling a dick?

The air in my lungs seemed to thicken, and the other patients held their breath. I thought to pray, but counted backward from ten instead. As if I could de-escalate him. God may have been the better option, but then again faith was a grift. Or we were doomed to live the same mistakes over and over again. No matter how many gold teeth glistened when the preacher grinned. 

 

•••

 

I watched the second hand on my wrist watch tick. My work phone rang the loudest ring of 4:50pm, amplifying the throb in my head. The taste of blood still lingered on my lips, the smell crusted in my nostrils, from where Frank’s forehead hit. He took me down quick, and the other patients couldn’t peel him off before he got a few good licks. But coming into the job, I knew of the risks. See: no good deed goes unpunished. Also compassion is a matter of dollars and cents. Like love and patience and respect. And so, Fuck it, I said, and went home to entertain the voices still chattering in my head.

 

Matthew is a drug addict recovering in Austin, Texas. His work can be found at Soft Cartel and ExPat Press. He spends too much time on Twitter– @mrmatthewlovitt.

“Never Wednesdays” by Donald Ryan

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It was 1994 and he was working
at this restaurant outside Shreveport,
Pearl Jam on the box
and a broken wrist.
It was his day off, a day of rest.
Yet he was standing in the kitchen.
Glove stretched over his fat palm.
He should have said no, I’ve got plans,
and the joints he smoked agreed.
It was the extra pain pill popped said yes.
So he dropped baskets and burnt toast
when walked in

Streamers.

Bright painted fucking joy, fucking hi-yuck
rictus kiddies, here’s a balloon twisted gimmick
as if the free kid for every adult meal didn’t bring
the families in in hordes (it didn’t).
There was Streamers.
In all her fearfulness cheerfulness.
In all her fuckery. 

Just get a drink and don’t look up
Just get a drink and don’t look up
Just get a drink and don’t look fuck.
“How are we today?”  We?
Words of terror from a Chelsea grimace
between cheeks painted rum red.
Just forget the drink and don’t piss self.
“Do we know how Kathy’s doing?”
Kathy had cancer.
Streamers came claiming Kathy.
“Kathy.  Fucking fan-tastic.”

The line dead, wag dragon fired,
the fool kept focus on death’s swinging doors.
Fear held no bound as long as he
was on the safest side.
He went home early, on account of
his hand and all—right—
fucked stasis fakes
bravery in composure.

She chose to paint her face;
The sweet southern belle.
“A dissident is here,” he said.

Never Wednesdays.

 

Donald Ryan’s words have appeared, or are forthcoming in, Cleaver, Fiction Southeast, Hobart, Soft Cartel, Owl Canyon Press’s hackathon anthology, Short Edition’s international story dispensers, and elsewhere. He’s a full-time part-time librarian in the GA Pines. donaldryanswords.com and/or @dryanswords because, you know…

“i’ll ask the shower walls one more time” by Jared Povanda

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do you know what the tooth fairy does with all those teeth?
do you know how heavy her sack must be after a single night?
incisors
molars
bicuspids, i think,
but i don’t really know
because the dentist never sits and
explains which teeth are which teeth instead
she just points
to the generalized moderate bleeding of
my gums with a sharp tip
and tsks jared i know you know
but do you know what the tooth fairy does with all those teeth?
i imagine she builds bridges and paves roads with
fairy tale taxpayer dollars going to the coins left under pillows
and all those workers in their pink vests
patch potholes with polly’s baby
teeth clicking and pissy because the easter bunny’s egg shells
collected last april just wouldn’t cut it

Jared Povanda is a writer who just started dabbling in poetry recently. His prose has been published in Back Patio Press, and also in Cheap Pop, Riggwelter Press, Maudlin House, and Lammergeier, among others. Follow him @JaredPovanda 

“cello needles” by Aqeel Parvez

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senseless and real

illogical death of hours.

a beheaded dumbbell death,

a cat creeping sideways

a cat leaping over fences.

cello needles nearing,

ravished concertos of pain

thrown to barbaric knife,

drowning with the angels

drowning with the hours,

drowning in yourself.

we tremble and shake

when the lights come on,

staggering out into a world

that starves a man of strength

like a raw pig with no meat

on its bones.

 

Aqeel Parvez is a poet who lives in Leeds, UK. He is the author of the chapbook The Streetlights Are Beckoning Nirvana (Analog Submission Press). His work has been published in 16 Pages Press, Sludge Lit, Horror Sleaze Trash, Back Patio Press, Saturday Night Bombers. Find him on instagram @ap.writer, & twitter @aqeelparvez

“CATFIGHT” by Valium Hippy

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i’m taking selfies with valium under my tongue
we’ll be fucking at your house at night

all the boys that i kiss look the same
i’m longing for a life with meaning, but leaving my future for a graceless party

i want cash money, and also golden jewlery
mama is on tranquilizers so i put on my best saturday shoes real tight
and get to your house to eat your butt

wish i could stay the night
sleep over with my head on your chest
my dick is on fire, so i’d like to touch you if you let me

next morning you’re acting like i didn’t eat you good
i was high, i’m clueless, i’m dumb, babe
but what a beautiful song i sing
when i know i’m young and terribly obsessed with you

i hate crocodile tears, but i get obsessed with yours
but i can also go “whatever” in a minute like i’m warhol

for minor inconveniences i’m willing to end me
your words cut like razors on my thighs
i hate going nuts, but you’re asking for it

i’m drawing your face in a canvas
and sending you the moon emoji
don’t laugh at me, i drank a little bit
and i think i fucking love you
despite the shade, despite disgrace

to be fair, deep inside i’m aware
the only reason you’re rejecting me is because
your lips are ugly and your ass is small
mine’s not, so it’s fine

 

Valium Hippy (birth name Rogério Berardo Filho) is a writer and poet born and living in Recife, in northeastern Brazil. He is currently 20 years old, LGBT, a dog dad, loves tranquilizer medication and writes to cope with mental health complications.

3 Poems by Deirdre Cardona

 

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How’s Therapy?

 

It’s like I’m two different people.

I make Jekyll and Hyde
look like children.

I drink until I drown.
I smoke until I burn.

I can’t come—
to bed I’ll get cemented in.

I’m a monster because I have said so,
a rusty truck stop where lovers go to die

or shoot up in the bathroom.

Or did you mean to ask
“What’s wrong with you?”

Ask the stars.
Ask what they’ve heard.


 

One Day:

 

Lover, I will leave you in the same sluggish way
a fly leaves a swollen, oozing, stinking carcass.

In the same way golden clouds gradually pull
from a snow-capped mountain.

In the same way a half-assed breath hacks phlegm
from the lungs of a smoker,
like a machete against envy-green jungle leaves.

I will leave you
just as you’ve left God,

as you’ve left the dust to collect
on your writers’ desk.

I will not be the one
to hold your drunken frame,

your tar filled heart, your

promises like empty water
bottles at the bottom of the ocean,

 

your impossible smile,
your impossible smile,
your impossible smile.

 


 

Ghosts:
after Anne Sexton

 

Some ghosts are my fathers
neither selfish nor selfless
their guitars wahwahwahing
through the neighborhood.
Not artists, but ghosts
who frowned and shook their heads
at the Billboard top 100.

Not all ghosts are fathers.
I observe them at the music store,
thumbing through records with a high brow,
like they could ever come close.
Not pretentious, but ghostly.
This one’s playing Stairway.
But that isn’t all.

Some of my ghosts are lovers.
Not all there. Not too stable.
Like a swimmer in a glimmering lake
moments before jaws grip onto my ankle
and drag me down, down, down.

 

Deirdre Cardona is a turtleneck aficionado who often fantasizes about owning a really big chair so she can greet guests with a slow spin while petting a lop-eared bunny. She’s worked as a poetry editor for Cypress Dome Literary Magazine and her work has appeared in Roseblood Magazine. Send her love letters at twitter.com/queengizard

 

2 Poems by Susie Fought

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Liquid Gold

 

If I had to describe her skin it would be deep gold liquid
spilling fire
spilling danger like a super nova
an explosion of arrows aimed to maim
but when she slept next to me I could almost cry with the weight of her anchoring my life into a snug corner
as long as she slept in my bed she was mine
my own wild horse
tethered
if only in sleep if only in my imagination
because all these years later it is so obvious
I would never be hers
not like I wanted
the truth is she slept in my bed simply because it was there
halfway through her day and her night
she stumbled in and flopped here beside me
not mine
not belonging to anyone
liquid gold
warming my bed for a while

 

 

♦◊♦

 

“When You Left”

 

When you left you took the floor with you

The cross beams. The concrete. And even the dirt underneath
I was floating on fear
I nearly drowned in anxiety

My father brought houseplants
When the dark got too thick to breathe

When you left you took my frame of reference
My mirror
My who I am
My why I am here

I painted myself onto you and then you left

Susie Fought’s words have been published in various small collections put together by friends including three volumes of BREW, available on Lulu Press. Born and raised in the San Francisco Bay Area, she now lives with too many dogs in Berkeley, California.

website: http://www.susiefought.com

3 Micros by Todd Mercer

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In the Mood

How to become the nursing home’s youngest resident: Dive into a city pool without seeing if it was drained. I’m glad to be alive. Many people tell me I should be.

The music in the dayroom is the sorest trial. Crooners, old-time Big Band Swing. Staff parks my chair beneath the speaker and I’m stuck ‘til someone moves me. No sensation from the C-5 vertebrae downward.

It was after dark. My friend wanted to swim too. He told 911, “He’s dying.” Ten feet below on the concrete, I said, “Bad news, man—we’re all dying.”

A little levity.

 


Luminaries

Jane, shopping in Home Depot, answers other customers’ questions. They mistake her for a Paint Department employee. We load our cart with electrical cable, junction boxes, switches, outlets. The whole Edison package. We’re illuminating a former crack-house we bought at distress price. When we first went through, items thieves had stripped out included the copper pipes, the breakers. Most windows. The stairs. The place screamed “ruin.” Ruined lives poisoned the structure. Jane saw the potentiality. She said, “We have complete freedom in here.” I said, “Seems like the last tenants let their freak flags fly.” Jane was busy with the future.

 


Strings

Corey tells strangers in the bar’s next booth his needlessly extended shaggy dog story about three strings who fought, then said, “I’m a frayed knot.” They laugh superficially, because the joke isn’t too advanced, but they were raised for courtesy. He isn’t focused on our depressing discussion about my wrecked relationship and the diabolical other party whom I have not decided to leave. What friend wants to hear drawn-out installments from a guy living for years in Crazy-town who won’t rent a moving truck, but still complains? Corey rejoins me, interrupts my woe-airing, cuts his advice to a dangling phrase. “Stab me once, shame on you…”